Friday, May 22, 2020
Analysis of The Illness Experience Free Essay Example, 3250 words
Stigma can be acknowledged as a negative view that is allocated to an individual because of the characteristics which according to others tend to disgrace him or her from usual person to one who is infected as well as discounted (Tummala Roberts, 2012). The word stigma has been generated by the Greeks which originally meant a mark on the physical body of the person that acknowledged the bearer as being ethically faulty and thus substandard to his mates (Tummala Roberts, 2012). Stigma is generally the devaluation of a person s social identity. It has been observed that stigma is linked with illness, physical as well as mental constraints that can lead to problems for the residents along with the clinicians offering their care. A number of illnesses tend to be quite stigmatizing in few societies. An environment driven by stigma is characterized to possess chauvinism and favoritism wherein the stigmatized person faces problems related to employment, convenience to health care and ac ceptance in social groups and/or societies (Corrigan Watson, 2002). People possessing chronic pain may experience negative stigmatization by their peers and colleagues. We will write a custom essay sample on Analysis of The Illness Experience or any topic specifically for you Only $17.96 $11.86/page For instance, he usually felt trapped as well as abandoned from time to time. He was incapable of socializing himself since he might have assumed that he would be discriminated in comparison to a usual person. His reluctance to join pubs with his colleagues stems from the fear of the stigma.
Friday, May 8, 2020
Embodiesd Conversation Agents (ECSs) Essay - 925 Words
The purpose of this section is to provide the reader with a brief insight on Embodied Conversational agents ( ECAs). This chapter is organized into three section. The First section gives a general overview about ECAs through literature review. The second Section explores some concerns related to the use of agent in different contexts. The third section considers the design decisionââ¬â¢s perspectives of virtual agents Embodied Conversational Agents ( ECAs) Embodied agents are computer interfaces which exhibit human-like behaviors (e.g. non-verbal behavior, audio-visual speech, or personality and emotion) [29]. The embodied interface is presented as human face by using state-of-art technology such as realistic three dimensional (3D) facialâ⬠¦show more contentâ⬠¦First, the major technical issue is the poor quality of realistic looking virtual humans with a lack of emotional intelligence such as empathy, facial expression and gesture. The existing embodied agentsââ¬â¢ grap hics are often poor, also monotone voice is widely used by this type of interface for communication purpose [30]. Therefore, agentsââ¬â¢ ability to have an effective interaction will be limited due to inadequate language and emotional capabilities. Second, the social issue that can arise from using embodied agents interfaces is the resistance to change. Social barriers such as culture can create resistance to change in a way that users will not accept the idea of using embodied interfaces and interacting with a virtual human. Because of that, these issues may negatively impacts the effectiveness of embodied agents as well as limit interfaces to become commonly acceptable in the eyes of society. During the last decade, considerable amount of research has been conducted to have a clear idea about how people interact with Embodied Conversational Agents (ECA) and to understand the potential benefits of using embodied agents in the future. Agent Design Decisionââ¬â¢s dimensions: According to our researches, we found that the design decision of an embodied conversational agent can be taken based on several
Wednesday, May 6, 2020
Poems from the ââ¬ËBook of matchesââ¬â¢ Free Essays
I have decided to use two poems from the book of matches, ââ¬ËThose bastards in their mansionsââ¬â¢, ââ¬ËIââ¬â¢ve made out a willââ¬â¢ and the poem ââ¬ËKidââ¬â¢ to compare and contrast. Simon Armitage wrote ââ¬ËBook of matchesââ¬â¢ in 1993. It is a selection of poems without titles. We will write a custom essay sample on Poems from the ââ¬ËBook of matchesââ¬â¢ or any similar topic only for you Order Now Each poem is meant to be read in the time that it takes for a match to burn down. There is a pun in the title, a packet from which we tear out the matches a book, but this is also a book in the normal sense, with words for us to read. Both of these poems are fourteen lines long, but they are not strictly a sonnet in form. ââ¬ËIââ¬â¢ve made out a willââ¬â¢ has irregular rhymes, both full and half rhymes. It is split so that there is a first block of eight lines, then a second block of six lines, which is split into a four and a two. The final section is split so that it ends in a couplet like a Shakespearean sonnet. Some may argue that this poem is not a sonnet because it does not follow a conventional sonnet form, such as a Shakespearean sonnet or a Petrarchan sonnet. ââ¬ËThose bastards in their mansionsââ¬â¢ has some weird features to its structure. Ten of the first eleven lines end in an unstressed syllable, and there are some rhymes such as ââ¬Å"ditches/britchesâ⬠, ââ¬Å"porches and torchesâ⬠, and there is the part-rhyme in ââ¬Å"shackles/anklesâ⬠. At the end of the poem, there is short lines and true rhyme on one syllable, ââ¬Å"sunâ⬠and gunâ⬠. This may suggest the power of the shadowy outlaw, who eludes his wealthy foes. Like ââ¬ËThose bastards in their mansionsââ¬â¢, in the poem ââ¬ËKidââ¬â¢, every line ends with an unstressed syllable. Every line ends with the ââ¬Ë-erââ¬â¢ sound. The poem starts off with heavy syllables to emphasise that Robin, the persona of the poem is annoyed. The heavy syllables are almost like Robin is shouting, and they show that he is in a mood. It is almost comical how the poet manages to end every line with ââ¬Ë-erââ¬â¢. As the poem progresses, the reader wonders how the poet is able to continue with this pattern. The poem is ideally suited to be read aloud, as the ending lines accumulate, the listeners wonder how the reader will keep up. ââ¬ËIââ¬â¢ve made out a willââ¬â¢ is about an organ donor with a reservation. The speaker in the poem explains how he has decided to donate his body to the National Health Service. He says how he is going to donate everything apart from his heart. Not only is he going to donate his organs, but he has also ââ¬Ëmade out a willââ¬â¢ so that his wishes are taken out after he has died. He lists all of the parts that he is ââ¬Ësure they can useââ¬â¢, but some things would only be useful for research, such as veins and nerves. In ââ¬ËThose bastards in their mansionsââ¬â¢, the persona of the poem has a grudge against people. He mentions words such as ââ¬Ëmansionsââ¬â¢, ââ¬Ëpalacesââ¬â¢ and ââ¬Ëcastlesââ¬â¢. Here this is probably a large exaggeration, but it could be taken literally as the poem could be set in the past, there is mention of ââ¬Ëburning torchesââ¬â¢ and ââ¬Ëcuffs and shacklesââ¬â¢. Like in ââ¬ËThose bastards in their mansionsââ¬â¢, in ââ¬ËKidââ¬â¢, Robin has a grudge against Batman. Simon Armitage imagines that Robin has separated from Batman and that he has succeeded and that Batman has turned into a failure. It says how Batman has ââ¬Ënothing in the walk-in larderââ¬â¢. This is the opposite to ââ¬ËThose bastards in their mansionsââ¬â¢ because in that poem the persona has nothing compared to the people he has a grudge against and is jealous. At the end of the first eight-line section, the speaker concludes his list with the one exception, ââ¬Ëbut not the heart, they can leave that aloneââ¬â¢. And at the end of the poem, he repeats this, ââ¬Ëbut not the pendulum, the ticker/leave that where it stops or hangsââ¬â¢ he does not say why he does not want his heart to be used again, maybe it is because it is the part of him that keeps him alive, and he does not think that it would be right if someone else used this part. To the national health, the heart is the most valuable organ, so we do not know why the reader wants so much to hold onto his heart, he emphasises how much he wants his heart by the amount of times that he says that he does not want it to be used. This poem has a vivid series of metaphors, which are in lists. The metaphors portray different things. Some of the images have medical overtones, ââ¬Ëtubesââ¬â¢, ââ¬Ëstitchesââ¬â¢ and ââ¬Ëwoundsââ¬â¢. These are quite graphic words and show us that the reader predicts dying maybe in an accident, and that he could receive surgery. There are words to do with workshops such as glues and chassis. Others respond to food or cookery such as ââ¬Ëjelliesââ¬â¢, ââ¬Ësyrupsââ¬â¢, ââ¬Ëloafââ¬â¢ and ââ¬Ëgallonâ⬠¦of bilberry soupââ¬â¢. There are a lot of different images only for one thing. The skeleton is known as the ââ¬Ëchassisââ¬â¢, ââ¬Ëcageââ¬â¢, and ââ¬Ëcathedral of boneââ¬â¢. Throughout the second part of the poem, there is an extended metaphor. This is one of a clock. Here there is ââ¬Ëloops and coils and crockets and springs and rods, the twines and cords and strands, the face, the case, the cogs and the hands,ââ¬â¢ â⬠Ëthe faceââ¬â¢ and ââ¬Ëthe handsââ¬â¢ are already words for parts of the human body, but other parts of this phrase can be worked in to go along with other parts of the human body. In the last two lines he says how he does not want his heart to be touches, he compares this with ââ¬Ëthe pendulum, the tickerââ¬â¢. These are the parts of the clock that makes everything work, just like the human heart. In this passage, Simon Armitage uses lots of metaphors. This is to emphasise points. For example, he uses not only ââ¬Ëpendulumââ¬â¢, but also ââ¬Ëtickerââ¬â¢ to talk about the heart. Throughout this poem the poet describes the human body merely as lots of parts, he shows no emotion towards anything apart from the heart. This could be because the speaker sees the heart as being the most important part of a mechanism, like a pendulum in a clock. It also maybe that he values the heart as a symbol of all things that make life worth living, a heart is the symbol of love, affection, energy, desire, and much more. Or, perhaps he feels that he is inside his heart, and it is like a soul, and if he gives up his heart then he is giving up his immortality. How to cite Poems from the ââ¬ËBook of matchesââ¬â¢, Papers
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